Lighting design
Custom lighting design
A rig designed for your room and your show: fixtures chosen, placed, patched and programmed, then run live with the lasers. Design only, or design and full production.

Scope
What a design covers
The work that happens before load-in, so show day is assembly and not guesswork.
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Rig design
Fixture choice and placement for the space: moving heads, strobes and blinders, LED pixel bars, wash lights, fog and haze, with lasers where the show wants them.
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Plot and patch
A scaled plot of every fixture, with its position, address and mode, and a patch sheet the crew can build from.
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Programming
Looks and cues built to the music before show day, on a console we bring, so lasers and lighting play as one show.
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Power and cable plan
Circuits, cable runs and lengths worked out in advance and handed to the venue, so nothing trips mid-set.
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Build and operation
We load in, hang and focus the rig, run it live, and pack out the same night. Or your crew builds from the design.
The kit
What goes in a rig
The fixture types we design with. The mix is chosen for the room and the music, not taken from a package.
Moving heads
Beams and spots that pan, tilt and change colour on cue.
Strobes and blinders
The hits: white light on the drop, and light on the crowd.
LED pixel bars
Lines of light that chase, pulse and frame the stage.
Wash lights
Colour across the stage, the room or the dance floor.
Fog and haze
The atmosphere that makes a beam visible.
Lasers
Programmed with the lighting, so both play as one show.
Handoff
What you receive
Four documents, sent before load-in.
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Rig plot
Every fixture drawn to scale in the space, from above and from the crowd.
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Patch sheet
Each fixture's address, mode and cable run, in build order.
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Power plan
Which fixtures share which circuit, and how many circuits the venue needs to provide.
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Schedule
Load-in, focus, doors, show and strike, in half-hour blocks.
Have a room to light?
Send the venue, the date and what the show needs. You get a written quote by email.
Get a quote